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Megan Folden

Jake Vaadeland and the Sturgeon River Boys Take Their Talents Further West

February 17, 2023 by Megan Folden

Jake Vaadeland and his band, The Sturgeon River Boys, embody the unexpected. The group, which accessed our Market Travel Grant to rumble over to Breakout West 2022, is a set of young faces creating the type of country and bluegrass music that wouldn’t seem out of place in your grandparents’ record collection. It’s a sound that resonated with the crowd at the Calgary-based event, according to Vaadeland.

“Breakout West was an incredibly successful showcase opportunity for us! We were able to generate industry interest across the country and abroad. Since the event, we’ve been very busy following up with industry contacts gained in Eastern Canada, UK, Denmark and elsewhere. As a direct result of the showcases, we have also recently signed on with Paquin Entertainment and Johnson Talent Management to help us navigate the growing demand we are now seeing.”

Their ‘50’s sensibilities– which this writer is listening to while crafting this article – has also received critical acclaim. Vaadeland won four 2022 Saskatchewan country music awards (fans choice, alternative country album of the year, emerging artist of the year, and songwriter of the year) as well as two Sask Music awards (Roots/Folk Artist of the Year and Album of the Year) after he released two EP’s in 2021. Just a few months ago he turned to a larger project, releasing his first full-length album, Everybody but Me. All three are available on streaming platforms like Spotify and Apple but are also available via his website where you can order physical copies.

It’s a meteoric rise for an artist who, just a couple of years ago, was trying to figure out what it meant to be himself as a young teenager in rural Saskatchewan. His music has since been covered by local student media– like the University of Saskatchewan’s Sheaf – as well as features in the Saskatoon StarPhoenix and Toronto’s NEXT Magazine. Vaadeland says that playing the showcase at BreakOut West, alongside other Saskatchewan artists (and fellow Creative Saskatchewan grantees) like Amy Nelson, Marissa Burwell, and Megan Nash, helped usher in a new era in his career.

“Both of our showcases, at the Ironwood on the 29th [of September] and Legion #1 on the 30th were packed and the response was incredible. This truly was a career changing showcase for us and we are so thankful to have had the opportunity to attend!”

It’s early in the year, but the connections Vaadeland has made over the last couple of years appear to be paying off. He already has performances booked in Saskatoon, Prince Albert, North Battleford, Calgary, Kelowna, and Winnipeg for 2023. Combine that with signing on with booking and management agencies, and the future looks bright for this Cut Knife crooner.

Before we go, we’d just like to share that lyrics from Vaadeland’s song “Be Good Stewards” align perfectly with how Creative Saskatchewan sees its role in the province’s creative ecosystem.

“Be good stewards of the land/
Be good stewards here/
Be good stewards of the earth/
Don’t let her disappear”

Getting out on the road is a business endeavour just as much as it is a creative one. Our Market Travel Grant can support travel costs to attend showcases, festivals, and conferences, and exhibits, where you have been invited to participate. The fund closes once all funds are exhausted. If what you’re looking to do is more on the touring side of things, check out our Tour Support Grant. This grant requires a run of at least six live performances in multiple cities with performance fees being collected.

By John Loepkky.

Filed Under: Showcase or Sell Travel

ZARQA Heads for Second Season on CBC Gem

February 6, 2023 by Megan Folden

In theatre, a triple threat is someone who can sing, dance, and act. The success of Zarqa Nawaz’s web series ZARQA has us here at Creative Saskatchewan wondering if we need to call someone who has garnered three of our grants for one project a triple threat as well. That’s what Nawaz did, with jurors selecting her project for a Marketing and Export Development Grant, a Television Production Grant (now part of our Feature Film & TV Production Grant) as well as a SaskTel Max Equity Grant.

Of course, Nawaz is no stranger to success. We’ve spoken with her before for a Q and A at an earlier stage of the project and anyone with even a brief understanding of Saskatchewan film and television will remember Little Mosque on the Prairie’s triumphant run from 2007 to 2012. This time around, Nawaz says that the three grants she received seriously helped land some additional funding.

“The series got so much attention in Canada and worldwide from the promotion of the trailer, we were able to attract a new investor, USHub, to help finance the second season. Our goal had been to increase views to the [series] which we achieved and we also increased investment.”

The web series, which was one of the top three most viewed CBC Gem short form originals last year, is described by the national broadcaster as being a show where “Zarqa [the main character] – a divorced, middle-aged Muslim woman – strives to reinvent herself… until her impulsive and vindictive personality gets in the way.” With each episode clocking in at less than 13 minutes, the show is incredibly bingeable and has been green lit for a second season.

The project, however, has not had a short road to fruition. After producing a trailer, Nawaz turned to Crowdfunding to raise part of the project’s initial budget. As the creator of the series posted on that original crowdfunding page, the goal was to create a series “with more bite” and one that challenged how the film and television industry viewed Muslim women.

“Muslim comedians like Ramy Youssef (Ramy), Aziz Ansari (Master of None), and Kumail Nanjiani (The Big Sick) have been criticized for portraying white female romantic leads as the trophy, at the expense of Muslim women who are stuck playing the comic foil. ZARQA is going to change all that!”

It’s not like Nawaz had only ever created Little Mosque on the Prairie before diving into this newer venture. She’s also written two books (Jameela Green Ruins Everything and Laughing all the Way to the Mosque), led four short films (Fred’s Burqa, Random Check, BBQ Muslims, and Death Threat), and been part of an expansive documentary about equal access for Muslim women in Canada (Me & the Mosque). Having sold pilots on both sides of the border, and been a journalist since the early nineties, Nawaz brings an exceptional list of accomplishments along with her to any project. She was happy to share with us how her provincial funding was received by Canada’s national broadcaster.

“CBC Gem was very impressed with the support Creative Saskatchewan gave to ZARQA through its major marketing fund. We have sold both the 1st and 2nd season to USHub which will get us a global audience.”

If you’re looking to get financial support for your feature film, take a look at our guidelines. If you receive the funding then you’ll be following in the footsteps of projects like Donkeyhead and Flat Out Food. Both the Feature Film and Television Production Grant and the SaskTel Max Equity Fund are part of a wider assortment of funding programs that include streams dedicated to music video creation and film and television development. Meanwhile our Market Export and Development Grant provides funds to market your work.

By John Loeppky.

Filed Under: Film & TV

Long Standing Francophone Publishing Cooperative Produces Banner Season with Increased Marketing Capacity

February 3, 2023 by Megan Folden

Editions de la nouvelle plume - Creative Saskatchewan - Book Publishing

Publishing five books in a year as a small press is no small feat. However, with support from our Book Publishing Grant – Publishers’ Stream, that’s exactly what Regina-based, non-profit cooperative Éditions de la nouvelle plume (ÉNP) did in 2022. The funding meant books by two Fransaskois authors–Jean-Pierre Picard and David Baudemont– one Regina-based Inuit artist Brandy Hanna, as well as two Franco-Albertan authors in Hélène Flamand and Pierrette Requier, made it into the world. ÉNP used the funding to hire a host of publishing professionals to accelerate the books’ marketing.

It’s a banner year for an organization that has graced Saskatchewan’s literary landscape since 1984.Three of the books are meant for young readers. Picard’s book, Le Grand Barrage (The Big Dam) is aimed at those aged 8-12 and explores the story of a beaver building infrastructure with an underlying message reminding young readers to not forget their own histories. Meanwhile, Hanna’s Corneille apporte la lumière is a translation of an Inuit legend that also includes a glossary and information about the Inuit community in Canada, and is fully bilingual in both French and Inuktituk. Lastly, Hélène Flamand’s Brigitte et le caneton (Brigitte and the duckling) is aimed as a first book to read for young children.

For those who are older, long-time Saskatoon author David Baudemont’s Départs (Departures) is a book that the publisher describes as “a collection of eight short stories set in France, Africa and Western Canada about leaving, either real or imagined.” Lastly, Requier’s Petites nouvelles du Last Best Ouest is a translation and adaptation of her 2009 Frontenac House title, details from the edge of the village. The book combines the English and French languages in a way that reflects many Franco-Albertan communities.

As for how the grant was spent, ÉNP brought in editors and graphic artists to make their season stand out. They also hired a promotional agent to improve the chances of their books making it into readers’ hands, whether that was via libraries or bookstores. According to administrator Katarina Fasiagova, 2022 also meant an exciting new development on the staffing side of the organization.

“Les Éditions’ greatest success this past year has been the hiring of Martine Noël-Maw as our Managing Editor. She brings a vast knowledge of publishing, both as an author and an editor. We are sure that Martine will add even greater stability to the ÉNP and will continue the work done in the past five years to bring a greater level of professionalism to the publishing house.”

The support from Creative Saskatchewan also meant that ÉNP was able to publish more than they planned. Hanna’s book wasn’t originally slated for this year and ebooks were able to be created for Flamand’s eight children’s books. Petites nouvelles du Last Best Ouest also has a bilingual audiobook that was released in December.

ÉNP has already released their latest book, Sarperlipopette, Suzette (My Goodness, Suzette) by Franco-Albertan author Danielle Lavoie. It’s a book about a child who is making friends with animals and making relationships that her grandmother does not particularly understand. With a call for their 2023-24 season safely in the rear-view mirror, and their sights firmly set on an upcoming publishing schedule that is also funded by Creative Saskatchewan, it’s clear that Éditions de la nouvelle plume is keen to add to their roster of the more than forty authors they’ve published in their 38 years. Here at Creative Saskatchewan, we’re glad that we continue to be a part of the projects that help elevate French-speaking voices in our province and in Canada.

Whether you’re an author, a publisher, or both, Creative Saskatchewan has a funding program to suit your needs. Our Book Publishers’ Production Grant allows for book production costs up to $80,000 (or 50% of eligible expenses, whichever is lesser). If your project involves author contributions, like a self or hybrid-published piece, then the Author-Funded Stream is what you’ll want to take a look at. Depending on the scope of the work, these grants could mean between $15,000 to $25,000.

By John Loeppky.

Filed Under: Book Publishing

Belle Plaine and Blake Berglund Are At Home On Stage and (Now) On Screen

February 2, 2023 by Megan Folden

Belle Plaine is paradoxically open about the fact that her creative process is a fairly insular one. It’s something she recently wrote about in her newsletter, The Belle Plaine Weather Report, as she touched on the changes that the COVID-19 pandemic has brought to her and her husband, fellow singer-songwriter Blake Berglund’s, routine.

“I’m stubborn when I work. The door to my office is locked. I crave privacy that verges on secrecy. I rarely share anything unfinished. It’s revolutionary that in recent months I’ve begun to seek feedback from a few trusted friends and have overcome the compulsion to resist any and all input.”

It would be entirely wrong, however, to say that the singer’s creative life isn’t without many collaborators, one of them being Berglund. In May, 2022, the pair gave the public some insight into their life away from the stage with a Creative Saskatchewan-funded hour-long film, Belle Plaine & Blake Berglund’s Living From Home. The intimacy of the project is immediately obvious in the teaser trailer (see below), with the camera following them as they pour coffees, rummage through their freezer, and record music. Before releasing the film to audiences, Plaine wrote that the piece was about a reset of sorts.

“Blake and I were experiencing what living from home was like. We were supposed to be living on the road! In the van. Bouncing from city to city, venue to venue, hang to hang. How are you supposed to do that in a global pandemic? We made Living From Home with all this in mind. Blake keeps saying that it was my vision, but the truth is that I couldn’t see much at all. I needed to be seen… [the project] is a representation of getting my feet back on the ground and my head back in the clouds. Where they belong.”

Blake and Belle used the funding from our Market and Export Development Grant’s Micro Stream to work with little jack films—who has worked with other Creative Saskatchewan-funded artists like Ellen Froese— and a host of other local collaborators, including Bryce Lewis, Chris Dimas, Bryn Besse, and Steve Leidal. The film was screened at a virtual event on May 1, 2022, and the duo say that embarking on this project opened new avenues for their long-time creative partnership.

“[It] allowed us to expand into a new creative discipline and revenue stream. The pandemic’s influence on digital broadcasting supported the idea of long form video as an income stream and content generator. It also allowed us to expose ourselves to our support with more intimacy and connection. Using the Substack platform to deliver additional behind-the-scenes insights and backstory, we found this project to be one that connected with our supporters on levels alongside studio albums and live performances.”

Though both artists have since returned to the stage, Belle Plaine at the 2022 Regina Folk Festival and Blake at Montmartre’s All Folked Up Music Festival, the pair say they are continuing to document their life for a video-based follow up.

“We continue to work in collaboration with little jack films in an ongoing accumulation of thoughtful video content, already sussing out the storylines – Living From The Country? Living From Kentucky? Either way, the cameras are rolling.”

Blake and Belle aren’t the only ones using the Market and Export Development Grant to their advantage. Saskatchewan musical heavy hitters like JJ Voss, Nick Faye, Universal Honey, and Jess Moskaluke are among the music-based recipients who have received this form of funding in the last year. The micro stream has a maximum of $5,000 per applicant (which can represent up to 50% of your overall marketing budget. Within our major stream, meant for larger-scale marketing opportunities, that maximum can jump up to $25,000 per applicant per fiscal year. The deadlines to apply depend on your artistic medium. You can be publishing a book, crafting, creating visual or performing art, promoting music, getting eyeballs on a film or television project, or doing some interactive digital work— you’ll have a different deadline in each instance.

By John Loeppky.

Filed Under: Marketing

Rumpus Causes a Musical Ruckus on Tour

February 2, 2023 by Megan Folden

Regina DJ, producer, and drummer Rumpus’ newest release on SoundCloud, a set from Canadian music festival Shambhala, begins with the faithful words of Neil Armstrong on the moon. Now, while “One small step for man, one giant leap for mankind” isn’t typically how we’d describe our Tour Support Grant, it was Creative Saskatchewan funding that got Rumpus on the road for the US leg of his 21/22 tour.

Before donning his on-stage moniker, Danny Elder played instruments as a child and began producing his own electronic music in 2015. The fruits of that labour have included appearances at large-scale events like Nevada’s Burning Man and California’s Lightning in a Bottle. Like so many other artists we’ve spoken to recently, COVID put a damper on his plans for the last couple of years. 2022, however, saw him perform across the US and Canada while also finding time to release an NFT project. Those US shows included time in Los Angeles, Reno, San Francisco, Denver, San Diego, and Hawaii. He and his team say that the tour has opened new doors even when they were previously expecting COVID-related challenges to limit their success.

One of the biggest goals of the tour though was to create more demand for his return and more opportunities for new bookings and future tours and festivals in the USA. Evidently this was achieved. There have been many requests to rebook Rumpus for venues he played on this tour as well as new ones for his fall tour. Some of the promoters are asking to form partnerships with other venues throughout their state to have multi-city runs of shows, and requesting [to] have exclusive booking rights to Rumpus shows in their area.

Rumpus is no stranger to awards—he’s a multi-time Saskatchewan Music Award winner in the electronic artist of the year category— but the tour saw a tangible bump in his performance metrics. Almost 40% more people attended his shows than expected, his revenue was above the amount he estimated in his funding application, and Spotify streams increased 7% month-on-month. For Rumpus, the tour’s results echo what he meant when he expressed ambition to enter into a new stage of his career. It’s one that has seen him represented by well-known labels like Insomniac Records and Westwood Recordings, while he releases songs (nine alone last year) and EPs.

“US Festival bookings have come in post tour where organizers have stated they heard about the show from one of the tour stops and they needed to try and book him.
Overall the tour was a great success!”

You can follow along with his updated weekly playlist on Spotify and find his latest performances on his website. With March’s Altitunes Festival at Kelowna’s Big White Ski Resort already on his docket, 2023 promises to be another positive year in Rumpus’ ascension as an on-stage mainstay.

If you’re looking to use Creative Saskatchewan funds to expand your market reach and/or tour new places, you can find that information on our Tour support for live music page. Eligible projects are required to have a run of at least six live performances in multiple cities with performance fees being collected. The next deadline for this grant is February 1, 2023. Our tour support grant has recently supported artists like The Bromantics, Ellen Froese, and Autopilot. Whether you’re attending huge musical festivals like Rumpus, or a showcase with OSAC, or starting your first tour ever, Creative Saskatchewan is committed to helping this province’s musical talent grace the world’s stages.

By John Loeppky.

Filed Under: Tour Support

Regina-based Dara Schindelka’s First Grant Propels her Musical Career to Celestial Success

February 2, 2023 by Megan Folden

“The voice of an angel and the power of a freight train.” – Most artists would pay a fortune for being described like Regina’s Dara Schindelka is by her peers. Schindelka, a folk singer-songwriter, took advantage of our Sound Recording Grant to produce her first full-length project, Saturn Returns. It’s an album that has momentum she says she’s been able to capitalize on as her work continues to take her across the province and the country.

“As a travelling musician this means that I have shows that take me to every corner of Saskatchewan this summer. I played in 22 different communities in Saskatchewan by the end of 2022 and am already looking forward to this next year! The ability to utilize a Sound Recording Grant like this means that the hard work I put into my music and career has the ability to flourish and grow.”

The album, which she says is meant to “…prepare you for the unpredictable journey of life”, was rooted in Regina. It was recorded at Ever Rising Recording, run by producer Colin Hubick, and then sent to Walt Jeworski at Blue Door to mix and master the tracks. The artist, who had previously produced an EP and a few singles in the last couple of years, says that the money allowed her to collaborate with local musicians, significantly improving the success of the final product.

“Having this grant meant that I was able to have top notch musicians playing with me on the recording and was able to hire professionals in every area of the recording, producing, manufacturing and promotional part of this project! The album exceeded my expectations when it came to the show of support from media across Saskatchewan and I have new followers from every corner of the province!”

That media coverage included an in-depth interview with CBC Radio, North Sask Music Zine, and she was repeatedly featured by SaskMusic. By the end of 2022, Saturn Returns placed number six on SaskMusic’s list of best albums of the year. Out on the road, Schindelka would perform in Regina and area plenty, but also travelled to North Battleford, parts of Ontario via ContactOntour, Katepwa Beach, White City, Rocanville, Elbow, Balcarres, Radville, Montmartre’s All Folk’d Up Music Festival, and a host of other locations. Schindelka isn’t kidding when she calls herself a troubadour.

Throughout her career, she’s been focused on connecting with fans. Whether that’s out on the road, at showcase performances held at places like Casino Regina, or via live streams that she’s been involved in through organizations like the Prince Albert Multicultural Council, Schindelka is endlessly keen to keep making music and continue sharing meaningful experiences with people of all ages. We’re glad that Saturn Returns could come to fruition and become another key step in her journey as a professional artist.

To find out more about her work, including her previous EP that was recorded while she was teaching in La Ronge, you can visit her website at daraschindelka.com. It may be early in the year, but Dara’s already got performance dates booked in Regina and Edmonton.

If you’re looking to find a new audience for your music—or burst back onto the scene with a new project— take a look at our grant guidelines to see if your work might be a good fit. The project needs to include at least six songs, run at least 30 minutes, and be created with the intention of commercial release in order to meet the minimum requirements. Recent recipients include Dump Babes and Universal Honey. If you’re recording a shorter work, we also have streams dedicated to single sound recordings (1-3 songs) and EPs (4 to 6 songs and shorter than 30 minutes). If you’re looking at our Market Travel Grant, recording in studio can only reach so far, that stream is dedicated to opportunities connected to showcases, festivals, and conferences, and exhibits.

By John Loeppky.

Filed Under: Music

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