306-798-9800 iconClick to email Grant Portal Production Directory Login
Follow Us:
Creative Saskatchewan
  • About
    • Who We are
    • Staff
    • Insights and Engagement
    • Our Responsibilities
    • Board of Directors
    • Creative Funding Agencies
    • Our History
  • Our Support
    • Am I ready to apply?
    • Book Publishing
      • Author-Funded Stream
      • Book Publishers Stream
      • Market Demand Stream
    • Business Improvement
    • Craft & Visual Arts
      • Craft & Visual Arts Production
    • Digital Game Development
      • Digital Game Development
    • Film & TV
      • Feature Film & TV Production
      • Film & TV Development
      • SaskTel Max Equity Fund
      • Filmmaker’s Grant – Coming back next year!
    • Live Performing Arts
      • Live Performing Arts Production & Performance
    • Marketing & Showcase
      • Marketing
      • Showcase or Sell Travel
    • Music
      • Sound Recording
      • Tour Support
    • Grant Management System
    • Industry Sponsorship
  • News
  • By the Numbers
    • All Investments
    • Creative Industries Economic Impact
      • Book Publishing Metrics
      • Craft & Visual Arts Metrics
      • Digital Game Metrics
      • Film Metrics
      • Live Performing Arts Metrics
      • Music Metrics – coming soon!
  • Film Commission
    • Film Metrics
    • Film Permits Information
      • Filming in Prince Albert
      • Filming in Saskatoon
      • Filming in Regina
      • Filming in Moose Jaw
    • Incentives
      • Feature Film & TV Production
      • Film & TV Development
      • SaskTel Max Equity Fund
      • Filmmaker’s Grant – Coming back next year!
    • John Hopkins Regina Soundstage
    • Labour & Talent
    • Locations Gallery
    • Production Directory
    • Saskatchewan Look Book
    • Services
      • Location Scouting Support Program
      • Guides
      • SaskMusic
      • SaskBooks
      • Saskatchewan Craft Council
      • Training
      • Accommodations
      • Travel Information
    • Success Stories
  • Resources
    • Accessibility
    • Accessibility Plan
    • Additional Funding Resources
    • Annual Reports
    • Business Services
    • Calendar
    • Cybersecurity Tips for Grant Recipients
    • Diversity Statement
    • How to Thank Us
    • Insights and Engagement
    • Recent Commitments
    • Respectful Treatment Policy
    • Taxes
    • Travel Policy
SUBSCRIBE

Megan Folden

Crooning Across The Prairies Brings New Opportunities for The Bromantics

January 18, 2023 by Megan Folden

The Bromantics - Creative Saskatchewan
The Bromantics

What do you get when you combine a Saskatchewan group singing songs from the ‘50’s and ‘60’s, a collaboration with one of Saskatchewan’s oldest arts organizations, and our funding? A successful tour. The Bromantics found themselves in the middle of that perfect storm in 2022.

The indicators were there almost three years ago. In 2019 the band, who call their style “a cross between nostalgia and modern trend, attracting people of all ages,” showcased for the Organization of Saskatchewan Arts Councils (OSAC). Success on that adventure made way for another one planned for the following spring. A years-long pandemic pause meant that the group finally got to hit the road in the first few months of 2022, performing at 16 dates in Saskatchewan while also adding on four shows in Alberta and one in Manitoba to the original OSAC itinerary. According to the group, the return on investment for our Tour Support Grant speaks for itself.

“We are extremely pleased to say that we have met or exceeded our goals in two key areas. With respect to increasing our audience base and brand recognition, The Bromantics played to crowds that surpassed OSAC expectations by a factor of 3. Our social media presence has shown a positive increase in followers, but just as important, our interactions with the audience members after the shows were overwhelmingly positive, with many superlatives thrown our way.”

And when we say a provincial tour, we mean it. 2022 took The Bromantics to Biggar, Hudson Bay, Langenberg, Moosomin, Macklin, Kipling, Estevan, Weyburn, Manitou Beach, and a host of other Saskatchewan centres. As one member, bassist Jim Mitchell, posted on their Facebook page after a March date in Macklin, “We are really seeing how much the awesome people of our province have missed going out and experiencing live music as much as we have missed performing.”

Aside from the positive audience reception, touring gave the band an opportunity to work with new merchandise styles, something they say they are keen to continue in the future. Right now you can purchase items like mugs and water bottles as well as shirts, letterman jackets, and hoodies from their online store. To peruse their digital storefront, go to the-bromantics-shop.myshopify.com.

Another knock on effect of the tour–ignoring for a moment the opportunity to market their stylish letterman jackets– was that they built up significant momentum as they work towards creating a new record filled with original music that complements their current repertoire of covers. To go to the next level, they’ve been working with Rec Hall Studios in Saskatoon since their return to rehearsals in 2021. According to the band, positive reception to their originals was a key learning they took from the tour.

“We also received overwhelmingly positive feedback on our new original songs that we performed (and polished) throughout the tour. A number of audience members commented on how the originals held their place among the classic covers we perform.”

With a few dates already pencilled in for 2023–specifically in Maryfield, North Battleford, and Prince Albert–it’s clear that The Bromantics won’t stop hitting the stage anytime soon.

If you’re looking to use Creative Saskatchewan funds to expand your market reach and/or tour to new places, you can find that information on our website. Tour support for live music requires a run of at least six live performances in multiple cities with performance fees being collected. The next deadline for this grant is February 1, 2023. As the Bromantics have proven with their OSAC tour, travelling around Saskatchewan is a great way to learn about our province, meet new audience members, all while doing what you love.

By John Loeppky

Filed Under: Tour Support

Slow Down Molasses Brings Saskatoon-tinged Indie Rock Across the Ocean

January 16, 2023 by Megan Folden

Slow Down Molasses - Creative Saskatchewan
Slow Down Molasses

In 2022, Saskatoon four-piece rock band Slow Down Molasses (SDM) worked to add their musical talents to that list, using Creative Saskatchewan grants to build their worldwide fanbase and bring those experiences back home to the land of living skies.

Using one Tour Support Grant and two Market Travel Grants, the band spent time in Britain and Germany promoting their most recent album, 2021’s Minor Deaths. Their four members: Tyson McShane (vocals & guitar), Chris Mornin (bass & vocals), Levi Soulodre (guitar & vocals), and Kaelen Klypak (drums), held seven tour dates across the UK and also spent time at Brightson’s The Great Escape Festival and the c/o pop Festival in Cologne, Germany. This British leg of the tour was meant to happen in 2021, alongside international appearances in Estonia and Hamburg, but were shifted to 2022 after the COVID-19 pandemic made those plans moot.

Slow Down Molasses’ time across the pond started with the German festival, an opportunity that members say kickstarted their summer of success. Their time there meant that they booked a slot at the Future Echoes Festival in Norrkoping, Sweden for February 2023. It just goes to show what can happen when another festival’s director is in the audience. Next came their wider tour, where travelling across England and Scotland opened many doors, according to the group.

“The band now has talent buyers in Brighton, London, Glasgow, Manchester, Reading, Oxford, and Hull who are all keen to see the band back in 2023. In addition, the band made crucial in-roads with radio.”

And, in the midst of all that buzz (including a BBC6 DJ spinning their tunes), Slow Down Molasses found their way to The Great Escape Festival in Brighton. The band’s description of how the event went, combined with their slew of inspiring concert photos on their Facebook page, makes the viewer wish they’d been there.

“The venue [was] so full [that] our publicist couldn’t even get into the main room…Both shows went over incredibly well, resulting in industry response being resoundingly positive…The band was able to meet with and solidify relationships with numerous UK based promoters [while] at the Great Escape, while also meeting potential future label partners while there.”

2022 was also a big year for SDM on Canadian soil. They performed a few local gigs as well as at festivals such as M pour Montréal, BIG Winter Classic, Winterruption Edmonton, and Sled Island Arts and Music Festival (Calgary) while also being nominated for a Saskatchewan Music Award in the alternative artist of the year category. They’ll return to BIG in 2023, as well as spending time in Sweden and Denmark.

While we’re hoping the band gets a little more rest in 2023, we’re looking forward to seeing how Slow Down Molasses can capitalize on this momentum and reach audiences new and old with their music.

If you’re looking to use Creative Saskatchewan funds to expand your market reach and/or tour to new places, you can find that information on our website. Tour support for live music requires a run of at least six live performances in multiple cities with performance fees being collected. The next deadline for this grant is February 1, 2023. If you’re looking at our Market Travel Grant, that stream is dedicated to opportunities connected to showcases, festivals, and conferences, and exhibits.

Written by John Loeppky.

Filed Under: Tour Support

Dump Babes Explore Much-Needed Themes with New Record

January 16, 2023 by Megan Folden

Dump Babes - Creative Sask - Sask Music - Chris Graham Photography
Dump Babes performing at the 2022 Saskatchewan Music Awards, courtesy of Chris Graham Photography

Reading Dump Babes’ band bio immediately tells you that they’re not here to abide by old norms and the same old tried and true.

“Dump Babes hail from the barren plains of Nutana, where as young children they kicked cans and ate street rats for breakfast. This combined lived experience is inspiration for their grungy pop-rock sound with a country twang and can be heard through their lustful lyrics in many of their songs…Aurora [Wolfe], Eric [MacNeil], Skyler [Cafferata], Aron [ Zacharias], and Barret [Ross] may be the official Dump Babes, but believe that everyone holds some trashy goodness within them.”

The Saskatchewan group’s latest album, niya kîminîcâkan, mirrors lead singer Aurora Wolfe’s focus on colonialism, the uprooting of Indigenous communities, and identity. It’s something the band says is instrumental to the way the album came together with Wolfe as their songwriter.

“The lyrical concept of the album speaks to Aurora’s experience as an Indigenous woman in chaotic/uncertain times. The songs process through subjects that range from incarceration to environmental colonialism, however the album ends with a celebratory and joyful song that celebrates the simple pleasure of sitting in a hot tub with friends.”

Written and recorded in Saskatoon, the record was an opportunity, according to Dump Babes, to “mature” and expand on their sound. The community that Dump Babes has fostered is immediately evident. The album’s Bandcamp page features the acknowledgement of beloved community figure Jill Mack, who passed away from cancer in March of 2022, and who supplied bass, keys, and backing vocals. The band was nominated for two Saskatchewan Music Awards–making the long list for album of the year and the final five for Indigenous artist of the year. 2022 also saw them perform as part of the Regina Folk Festival, Ness Creek Music Festival, and the Sled Island Music and Arts Festival in Calgary. Their attendance in Alberta, as part of a showcase, was funded by our market travel grant, while the eight song-strong LP was funded by our Sound Recording Grant.

In typical Saskatchewan artist fashion, Dump Babes haven’t slowed down since they released niya kîminîcâkan in mid-April. They’re hard at work moving towards producing a follow up album, and they say that the lessons they’ve learned with this recent offering have been invaluable.

“We have learned a considerable amount while recording this album, and we have many ideas to improve our sound on our next album. Additionally, we have received very positive feedback on our new material. The pop-oriented direction we took on this album has been well received, and is opening doors for us. Working with Antiskeptic Entertainment to promote this album has already increased our market visibility and reach, with stations across Canada adding our music to their rotations.”

Over and above these successes, Dump Babes have also started to be the subject of management offers, something that they say will make their time in the industry easier to balance as opportunities to create and tour increase accordingly. Their time on stage at the aforementioned music festivals brought in new audience members and additional sales. A vinyl release show in October meant another opportunity to showcase their work to the world. The album is available on all major platforms as well as in CD and vinyl form.

If you’re looking to find a new audience for your music—or burst back onto the scene with a new project— take a look at our grant guidelines to see if your work might be a good fit. The project needs to include at least six songs, run at least 30 minutes, and be created with the intention of commercial release in order to meet the minimum requirements. Recent recipients include Étienne Fletcher and Universal Honey. If you’re recording a shorter work, we also have streams dedicated to single sound recordings (1-3 songs) and EPs (4 to 6 songs and shorter than 30 minutes). If you’re looking at our Market Travel Grant, that stream is dedicated to opportunities connected to showcases, festivals, and conferences, and exhibits.

Written by John Loeppky.

Filed Under: Music

Saskatchewan Sister Trio make international connections at Reeperbahn Festival, Germany

January 6, 2023 by Megan Folden

The Garrys - Creative Saskatchewan - Grant Recipient
The Garrys – Photo by Gina Brass

The Garry’s, a Saskatchewan trio of sisters famed for their “blood harmonies” and “hazy sun-bleached melodies” were recently successful grant applicants to Creative Saskatchewan’s Market Travel Grant. This grant supported their travel expenses to showcase at the Reeperbahn Festival in Hamburg, Germany, this past September.

The Reeperbahn Festival is touted as a key gathering for the musicians worldwide, with superabundant line-ups that facilitate the commercial success of the music industry while engaging in an international, culturally rich festival celebrating many creative industries from diverse backgrounds. The Garrys showcased their latest album “Get Thee to a Nunnery”, released on September 24, 2021 via Grey Records. The Market Travel Grant is intended to assist musicians who have been invited to showcase at an event that will further their business interests. The Reeperbahn Festival offered exactly that; sessions, showcases, networking events and award shows all allow the audience to think about, experience and listen to music in new ways.

Performing in a showcase provides talented musicians like The Garrys with opportunities and resources to foster artistic and professional growth, polish their stage performances in front of new audiences, and gain traction in new markets.

We’ve learned that both of The Garrys’ showcases were completely sold out, and were received well by German audiences – a well deserved congratulations goes out to the sisters; Lenore, Erica, and Julie Maier!

“While we were in Germany, directly after our last performance, we received word that we had won a Western Canadian Music Award for Breakout Artist of the Year. We also made connections with a German record label called Devil Duck Records, and a British Sync Publishing company called Sentric, both companies are keen to work with The Garrys in the future. Our connections we made while in Hamburg, are already helping us plan for future returns to both Germany and the UK.”

We’d also like to congratulate The Garrys recent success in the 2022 Saskatchewan Music Awards – these ladies are on a roll! Check them out here.

Our Market Travel Grant can provide up to a maximum of 50% of the approved travel budget, to a maximum of $5,000 per project.

 

Filed Under: Showcase or Sell Travel

Autopilot Pitches Saskatchewan Music at Canadian Music Week 2022

January 4, 2023 by Megan Folden

Autopilot - Marlon Harder - Creative Saskatchewan
Marlon Harder, Autopilot

Saskatoon alternative rock band Autopilot didn’t waste any time when they arrived in Toronto for Canadian Music Week 2022 (CMW). Though they just managed to snag some of the last rooms available for the event, which brings together industry players from across the world, the band–made up of Marlon Harder, Jose Antonio, SJ Kardash, Adam Swalm, and Cale Hretsina–worked to make a number of connections that should serve them well as they progress as a band.

This promotional effort, made possible by our Market Travel Grant, saw the group using posters and handbills to get the word out. They spent their evenings networking with other bands and attending showcases throughout Toronto in order to forge new relationships. Autopilot were joined by their manager, Nicholas Mishko of 10 and 8 Management, to build contacts with labels, agents, publishers, radio programmers, playlist curators, and a host of other industry professionals. Those conversations, including chats with possible tour mates, event hosters, and live music music companies, mean that the $4,821.87 they received went a long way to securing future opportunities across Canada and the US.

The band isn’t a stranger to touring, having been described in their bio for CMW as “road warriors” with a style that includes “thoughtful lyrics, powerful hooks, dynamic stage show, and obsessive hard work.” They completed 39 performance dates in 2022, including five June shows at Canadian Music Week, and their music took them to old standbys like Regina’s O’Hanlon’s and as far afield as a November appearance in Atlanta, Georgia. The Western US and Canada portion of that run of shows was also supported via our Tour Support Grant.

Their time on their road wasn’t without drama. A last-second show in Louisville, a second Thanksgiving dinner in St. Cloud, Minnesota, and a broken down van in Indiana, are just a few of the stories they shared on their Facebook page. Autopilot would have probably been forgiven by fans if they had solely focused on their live performances last year, but they also released two singles in 2022: “Feverish Dreams” and “In Between Days”. That’s in addition to their most recent full-length project, Afterglow, which was released in 2018.

The band’s newest releases were picked up by a number of radio stations, both in Canada and the US, and the trio’s time at Canadian Music Week allowed them to chat with industry players about how to pitch different digital venues for their music. This included conversations about pitching media outlets as well as satellite radio providers.

If you’re looking to use Creative Saskatchewan funds to expand your market reach and/or tour to new places, you can find that information on our website. Tour support for live music requires a run of at least six live performances in multiple cities with performance fees being collected. The next deadline for this grant is February 1, 2023. If you’re looking at our Market Travel Grant, that stream is dedicated to opportunities connected to showcases, festivals, and conferences, and exhibits.

Written by John Loeppky.

Filed Under: Showcase or Sell Travel

Donkeyhead Brings a Story from the South Asian Diaspora to Saskatchewan

December 28, 2022 by Megan Folden

Donkeyhead - Creative Saskatchewan - Success Story

If you’re looking to watch a film that combines experiences from the South Asian diaspora, a family drama-comedy, and a creative product that was shot in Regina with a number of Saskatchewan artists in leading positions, then Donkeyhead, the directorial debut of Agam Darshi, might be for you.

Featuring the director in its leading role alongside a Saskatchewan actor (Kim Coates) and production designer (Marian Wihak), the film premiered at the 2021 Mosaic International South Asian Film Festival (MISAFF) in Toronto. It’s a project supported financially by Creative Saskatchewan and the SaskTel Max Equity Fund and is an opportunity that Darshi says fit seamlessly with the goals of the film.

“I wanted to bring voice to a generation of South Asians who were born and/or raised outside India – those who feel as much South Asian as they do Canadian. I see Donkeyhead as a bridge across generations of the South Asian diaspora. We see a film that speaks about life for a brown person living outside of India today, and MISAFF is the audience this film was made for. As any filmmaker I want to connect with the audience, and I really hope Donkeyhead does that.”

In the words of the film’s description on streaming services like Amazon Prime Video, “Mona, a failed writer, carves out a life of isolation while caring for her ailing Sikh father but when he has a debilitating stroke her three successful siblings show up on her doorstep determined to take control of the situation.” It’s a story that has resonated with critics and industry supporters alike.

Donkeyhead was developed and produced by Saskatchewan production company Karma Film. It was acquired by Ava Duvernay’s ARRAY Releasing for a Netflix premiere, followed by Level Film’s Canadian theatrical release in March 2021 and is still available on Netflix in the US, UK, Australia, and New Zealand, and in Canada on Amazon Prime and Superchannel, via providers including Telus, Rogers, Bell, and Shaw, as well as Apple TV, iTunes, the Cineplex Store, and Google Play. Awards-wise (and we’re only picking a few), Darshi was nominated for a Directors Guild of Canada nod, the film garnered two UBCP/Actra award nominations, and went home a winner three times at the 2022 Leo Awards.

But Donkeyhead isn’t Darshi’s only connection to Saskatchewan. A recently wrapped multicultural TV series, Our Big Punabi Family, that Agam Darshi co-created with showrunner Leena Manro, was also filmed in the province in November. This project was partially funded by our Feature Film and Television Production Grant Program. It is expected to produce an economic benefit of $3.5 million for our province.

Fun fact – Donkeyhead also licensed music from Saskatchewan singer Ellen Froese and local band Queen City Kids! There was also a partnership in place with the local Sikh community – Guru Nanak Free Kitchen were a huge help in the casting of performers.

If you’re looking to get financial support for your feature film or TV series, take a look at our guidelines. If you receive the funding then you’ll be following in the footsteps of projects like Summer at Charlotte’s and Shadow of… Both the Feature Film and Television Production Grant and the SaskTel Max Equity Fund are part of a wider assortment of funding programs that include streams dedicated to music video creation and film and television development.

Written by John Loeppky.

Filed Under: Film & TV

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 16
  • Page 17
  • Page 18
  • Page 19
  • Page 20
  • Go to Next Page »

Primary Sidebar

Contact us

  • 208 - 1831 College Ave.
    Regina, SK S4P 4V5
  • T: 306-798-9800
    TF: 1-800-561-9933
  • iconClick to email

Quick Links

  • Home
  • About
  • Our Support
  • News
  • Film Commission
  • Resources

Social Media

Grant Portal Production Directory Login

© 2026 Creative Saskatchewan. All rights reserved.

Subscribe

Website by OmniOnline.