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Megan Folden

Industry Veterans Universal Honey Use Creative Saskatchewan Grant to Reach New Heights

December 28, 2022 by Megan Folden

Universal Honey - Creative Saskatchewan - Grant Recipient

Alternative pop rock band Universal Honey are no stranger to the Canadian music scene—thirty years in the music business will have that effect on people.

However, when they were looking to re-introduce themselves to a broad audience both domestically and internationally they chose a Creative Saskatchewan Sound Recording Grant to help them along. The result? They started working on their eighth studio album. So far, they’ve released three singles with accompanying music videos: “Is this The Real Thing,” “Hush a Word,” and “Made Of The Storm. Combined, the three singles have almost 200,000 views on YouTube. The band are well aware of their sound, something they call “a modern/alt rock genre” that happens when you “sprinkle in some classic rock with an industrial edge.”

We’re not the only ones who have taken notice of their success. Canadian Beats, CTV News, FYI Music News, and regional television station CKSA/CITL in Lloydminster are some of the media outlets who have profiled the duo in recent months. Universal Honey also produced an ad to run on Spotify that garnered some serious attention.

The group, consisting of longtime collaborators Johnny Sinclair and Leslie Stanwyck, are finishing an album that is slated to include 12 new original tracks. The duo began to work together after meeting when they both played on two albums for another Canadian band, The Pursuit of Happiness.These days, the pair record their work in their home studio in Saskatoon and started their own production house and record label, Honeytunes, in 2020 to house their catalogue and work with other artists.

Having previously lived in Toronto, this new project is the first that will call Saskatchewan its home. It will also include contributions from longtime Saskatchewan musician Warren Medernach and mastering will be handled by Trevor Case of Saskatoon’s Case Mastering. Recent Saskatchewan-focused collaborations for Universal Honey have included a co-write with Lane Shields and Alex Runions as well as a homegrown audio-visual project for Saskatoon’s virtual Canada Day in the Park. In other words, just because they haven’t released an album recently doesn’t mean they haven’t been busy.

Universal Honey’s resurgence, in their eyes, is fueled by a digital age that wasn’t as available to them when they released their previous albums. This new record will include a wide release on digital platforms as well as a CD and vinyl runs to compliment their sound. It’s an exciting time for a duo that attributes much of their success to an older demographic that has stuck with them over the last three decades.

If you’re looking to find a new audience for your music—or burst back onto the scene with a new project— take a look at our grant guidelines to see if your work might be a good fit.. The project needs to include at least six songs, run at least 30 minutes, and be created with the intention of commercial release in order to meet the minimum requirements. Recent recipients include Étienne Fletcher and Marissa Burwell. If you’re recording a shorter work, we also have streams dedicated to single sound recordings (1-3 songs) and EPs (4 to 6 songs and shorter than 30 minutes).

Written by John Loeppky.

Filed Under: Music

New Music From Étienne Fletcher is Making Waves in Two Languages

December 28, 2022 by Megan Folden

Etienne Fletcher - Creative Saskatchewan - Little Jack Films
Étienne Fletcher – Photo courtesy of Little Jack Films

“I just don’t wanna wish these days away/
There’s only so much time left/
Only so much time.” – Étienne Fletcher’s “Waiting on You”

Étienne Fletcher decided to keep it local with his newest project, Entre-deux. That use of time seems to have paid off.

Using a Creative Saskatchewan Sound Recording Grant to produce his full-length album with Chris Dimas from Regina’s Grind Central Studios, the former Indigo Joseph band member worked with his longtime collaborators Sean McCannell and Gaelan Malloy. Both Malloy and McCannell are from Saskatchewan and Regina-based producer Chris Dimas was also involved. In a change from his previous work, Fletcher co-produced the record and had help from a number of other artists, including Québec’s Neil Robinson and Élisabeth Giroux.

The album is largely written in French, the title translates to between two, and has drawn coverage from the likes of Radio-Canada and La Tribune. The tracks are focused on themes like transitioning through life’s stages, the environment, and contemplating relationships with Canada’s Indigenous people. Entre-Deux came to fruition after his 2017 double EP’s, Side A/Face A, which came with an award from industry regulator SOCAN amidst a host of other critical successes. In other words, Fletcher is helping keep Saskatchewan’s francophone music on the map across Canada.

While COVID-19 meant lengthy delays for this newest venture’s promotion, September, 2021 brought with it a sold-out release show at The Artesian. From there, Fletcher took his show on tour, 26 dates in all, with performances spanning Alberta, Saskatchewan, New Brunswick, and Québec–including a Montreal-based album release on November 10th. Fletcher’s time promoting the album was partially funded by Creative Saskatchewan through our tour support grant. A number of those shows were to sold-out crowds.

Fletcher’s efforts meant that the industry was paying attention. He was nominated for a Sask Music award in the rock/pop artist of the year category and won 2022 Francophone Artist of the Year at the Western Canadian Music Awards. Away from the awards podium, Fletcher also inked an exciting new contract. He says that this progress in his career will afford him fresh opportunities as more people learn about his music.

“Our success story for this project is that we signed an Editor/Distribution deal with Quartier Général and Sony Canada. We are very excited about this deal. This is major in that it will help us reach a much wider audience. It is another step in the direction of creating a sustainable music career.”

In February, Fletcher will be heading out to Quebec City to be part of the RIDEAUinc showcase and will be announcing 2023 show dates soon. You can find Entre-deux (along with his two EP’s) on all major streaming platforms as well as on Bandcamp.

If you’re looking to follow in Étienne’s footsteps and receive funding for your full-length recording project then check out our grant guidelines. The project needs to include at least six songs, run at least 30 minutes, and be created with the intention of commercial release in order to meet the minimum requirements. Recent recipients include Ellen Froese and Marissa Burwell. If you’re recording a shorter work, we also have streams dedicated to single sound recordings (1-3 songs) and EPs (4 to 6 songs and shorter than 30 minutes).

Written by John Loeppky.

Filed Under: Music

Creative Sask Music Grant Recipient, Ellen Froese, climbs National Top 50 Charts

December 9, 2022 by Megan Folden

Ellen Froese - Creative Sask - Music - Sound Recording Grant

!earshot’s National Top 50 included Saskatchewan’s own Ellen Froese and her single from her latest album, For Each Flower Growing, this week.

Froese’s fourth full-length album, released this November, was made possible thanks to our Sound Recording Grant program.

Froese has a unique take on folk music, as captured in a recent article from Killbeat Music; “With the addition of drum machines, synths, and more intricate vocal production techniques, Froese reflects that “folk music can be anything I want it to be; I don’t have to be stuck in an antiquated mindset to hold strong musical ties to the past”. And the results of that mindset are stellar; For Each Flower Growing is exquisitely warm and inviting, foregrounding the singer’s lilting, ethereal vocals atop right-in-the-pocket, pillow-y drumming, melodic bass lines, ripples of Hammond organ layers, and – for the headphone listerner – a bevvy of expertly-placed sonic details tucked into the margins of this highly accomplished album.”


About Ellen Froese

Ellen Froese is what you’d call a “prolific artist”; committed, too. For someone who only just passed the threshold of their mid-20s, she’s amassed a resolutely solid body of work and, with a variety of projects, achieved more than some many years her senior. For Each Flower Growing, Froese’s fourth full-length, produced in collaboration with the Sheepdogs’ Sam Corbett, is her most accomplished statement to date, drawing on her established sound as a folk & country-based singer/songwriter while incorporating a wider frame of reference in the rich production, supple instrumentation, and overall sonic soundworld. It’s much harder to pin down than any simple description can convey, making it all the more worthwhile to check out.

  • Website: ellenfroese.com
  • Instagram: @skelliefroese
  • Facebook: @ellenfroesek
  • Twitter: @skelliefroese

Filed Under: Music

Music videos produced using Creative Sask’s first Music Video Production program released

December 7, 2022 by Megan Folden

Last year Creative Saskatchewan piloted the first Music Video Production Grant program, and the results are finally in!

A huge congratulations goes out to the filmmakers, musicians, and mentors who participated in the program and now have a high quality marketing asset to showcase their skillsets. Take a look at their work below.

Francois deNysschen (Prehistoric Productions) for Il Creatura “Miles Away” – Mentors Stephen Trivieri and Scott McCuaig with Breathe Entertainment

“Creative Sask did a great job aligning local talent with a panel of talented filmmakers who were dedicated to the process! The detailed approach sets them apart from many other grant programs” – Stephen Trivieri and Scott McCuaig, Breathe Entertainment

“The Music Video Production Grant is a great opportunity for musical artists, as well as aspiring filmmakers, to create a high-quality video production that may have otherwise been out of reach or budget when starting out. Access to industry professionals and mentors is also an invaluable resource for a creator at any stage! Truly an excellent one-stop solution for those who don’t know where to start.” – Ryan Schultz, Il Creature (The Pistolwhips)

Lee Chambers for W3AP0NS “Hope on the Radio” – Mentor Lindsay Thomas Robinson

“The Music Video Production Grant is a great opportunity for filmmakers and musicians alike to learn and grow in a space that is encouraging for emerging artists. For artists to advance in their career it is essential to have opportunities like this available, and I think Creative Saskatchewan has put together a program that can help achieve this” – Lindsay Thomas Robinson, Producer/Director

Blessing Alasan for Davy Sage “Let Me Know” – Mentor Farideh Olsen

“The Music Video Program is such a powerful experience for the musician and filmmaker. I hope many folks apply” – Farideh Olsen, Musician

Josiah Maningas (Studio D) for Kendal Schendel “Don’t Act Like You Care” – Mentor Chris Triffo with Wavelength Entertainment

“I had the good fortune to act as a mentor for Creative Saskatchewan’s new Music Video Production Grant program and found it invaluable for emerging filmmakers. I wish this type of program had existed when I started in the industry” – Chris Triffo, Wavelength Entertainment

“This experience has been life changing for me, I was able to create a high-quality music video that I would not have been able to achieve on my own. Along with the new connections made by working with a team, the value of this opportunity is immeasurable, and I would definitely encourage artists to apply!” – Kendal Schendal, Solo Artist

“I think one of the best takeaways from this program was the ability to collaborate with different creatives who are all at different levels of experience, and to take different perspectives and ideas and combine them to create a complete vision. Also, to be able to produce a high-quality product that may not have been done without the financial aid of the program. I would encourage anyone that is looking to get experience leading a bigger production to apply for this grant. At times in this industry it can be very difficult to get real world experience on bigger projects, especially if you are relatively new in the video world and this grant really provides creatives in Saskatchewan a very unique opportunity.” – Josiah Maningas, Studio D

Aaron Sinclair (Aaron Sinclair Film Ltd) for The Pxrtals “She’s Gone” – Mentor Erin Mussolum with Chickadee Creative Works Inc.

“Providing emerging filmmakers and musicians the opportunity to collaborate, while supporting them through the business lifecycle of creating a music video, all combines to create solid foundations for further artistic advancement” – Erin Mussolum, Chickadee Creative Works Inc.

Saul Chabot for Katelyn Lehner “10 Bucks” – Mentors Dylan Hryciuk and Brianne Janex with Versa Films
Video to be released soon!

Thanks to your feedback, this year’s new and improved Music Video Production Grant program has been very popular and we have received some stellar applications. The applicant assessors meet in the near future to determine this year’s successful grant recipients, who will be announced here when awarded.

Filed Under: Film & TV

Creative Saskatchewan announces new multicultural TV series filmed in Regina, Saskatchewan: Total estimated economic output $3.5 million

December 5, 2022 by Megan Folden

FOR IMMEDIATE RELEASE
Regina, Saskatchewan
December 5, 2022

Creative Saskatchewan announces new multicultural TV series filmed in Regina, Saskatchewan: Total estimated economic output $3.5 million

Creative Saskatchewan is pleased to announce a new production, Our Big Punjabi Family, filmed in Regina. This female led, South Asian comedy series has an estimated spend of over $1,867,000 on Saskatchewan labour, goods, and services with a total economic output of $3.5 million for Saskatchewan. Creative Saskatchewan has committed $746,818 via the Feature Film and Television Production Grant Program.

“A production of this caliber will inject more than $1,019,000 into local labour alone,” says Erin Dean, CEO of Creative Saskatchewan. “Never mind the countless opportunities for Saskatchewan’s hospitality and services sector,” to the tune of over $278,000, according to production estimates, “productions need accommodations, food and beverage services, costumes, props, skilled trades labour to build sets, legal and accounting support, and so much more.” The far-reaching economic impacts of the project also include 18 production days, with training initiatives and hiring at least 40 Saskatchewan crew.

“We’re very excited to see the snowball-effects of investment,” adds Dean. “Once we announced that Saskatchewan was open for film and television business, the phones have been ringing off the hook. It’s amazing to see local producers leveraging the opportunities, and to connect with new producers who may not have considered Saskatchewan as a film location before now.”

Delivered in English and Punjabi, the hilarious, quick-witted writing by South Asian showrunner Leena Manro offers a unique, diverse take on Indo-Canadian family life. The story follows a big South Asian family forced to live together due to the high cost of the Canadian housing Market. Hilarity ensues as four generations try to balance tradition with modern life, amidst cultural misunderstandings and meddling aunties. The show is also directed by women, including award winning director Agam Darshi (Donkeyhead), with consulting producers Sara B. Cooper (The Porter) and Scott Smith (Call me Fitz).

The series is produced by Kelly Balon and Anand Ramayya of Karma Film Inc., who are well-known in the local film scene for their work on Donkeyhead and the upcoming series, King of Killers. “I’m always looking for opportunities to bring productions home and thrilled to be a part of Saskatchewan’s economic growth, especially with content from underrepresented creators,” says Balon, “the more productions we can bring into the province, the stronger the industry becomes in this renaissance of screen-based opportunity. This is just the beginning.”

 

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About Creative Saskatchewan
Creative Saskatchewan is the economic development agency for Saskatchewan’s creative industries. Creative Saskatchewan unlocks the potential of the creative industries and fuels the economic engine of homegrown talent, converting creativity into cashflow. The agency’s investments propel creative entrepreneurs as they create, perform, innovate, and export in their pursuit of commercial success.

For more information or to provide commentary, please contact:

Megan Jane, Manager of Marketing and Communications, Creative Saskatchewan
C: (306) 529-7377 | megan.jane@creativesask.ca | creativesask.ca

Filed Under: Film & TV

Creative Sask Supports Saskatchewan Music Awards!

November 2, 2022 by Megan Folden

Creative Saskatchewan is proud to support the 2022 Saskatchewan Music Awards by SaskMusic

The nominees have been announced for the fifth annual awards, taking place at the newly restored historic Darke Hall in Regina on Sunday, December 11, 2022. Performers will be announced by SaskMusic in the coming weeks.

Tickets can be purchased here  or at the door.

The public is invited to vote on four Saskatchewan Music Award categories this year. Beginning November 7 and ending midnight November 16, 2022, voting will be open on the SaskMusic website for:

  • Album of the Year
  • Industry Achievement
  • Music Company of the Year
  • Venue or Festival of the Year

In conjunction with the SMAs, SaskMusic will also he presenting the Very Prairie Music Summit from December 8-11, 2022. This educational event for the Saskatchewan music scene will include workshops, panel discussions and networking opportunities, and will take place at the University of Regina – College Avenue Campus. Registration is available here.

Creative Saskatchewan would like to congratulate the 2022 Saskatchewan Music Award Nominees below, with a special shout out to several of our recent grant recipients!

Please note, the recipient(s) of the Indigenous Music Achievement Award will be announced during the December 11, 2022 awards show.

Alternative Artist of the Year

GreenWing
Gunner & Smith
Nick Faye
Ponteix
Slow Down Molasses
The Garrys

Country Artist of the Year

Donny Parenteau
Hunter Brothers
Jake Vaadeland
Jordyn Pollard
Shantaia

Electronic Artist of the Year

Factor Eight
Flatland Funk
Nige B
Patrick Moon Bird
Theo Noble

Experimental or Contemporary Artist of the Year

Marie-Clo x éemi
mileshigh
Spencer Krips
The Corner Hotel
TOVA
Zochi

Hip Hop Artist of the Year

Coleman Williams & Yohan Yemba
Factor Chandelier
Lynksfr
Rooky
THINKTANK

Instrumental Artist of the Year

bfa beats
Brian Baggett
Nige B
Spencer Krips
The Corner Hotel

Metal/Loud Artist of the Year

Alien to the Ignorant

Flash Back
Hollow Oax
Singularity
Tyler Gilbert
ZAYD

R&B Artist of the Year

ADEOLUWA
Ariel
Katie Tupper
People of the Sun
TOVA

Rock/Pop Artist of the Year

Étienne Fletcher
Katie Tupper
Megan Nash
Ponteix
The Garrys
W3APONS

Roots/Folk Artist of the Year

Graham Tilsley
Jake Vaadeland
Jeff D. Michel
Kara Golemba
Last Birds
Megan Nash

Indigenous Artist of the Year

Berk Jodoin
Donny Parenteau
Dump Babes
LJ Tyson
Patrick Moon Bird

Single of the Year

Broke to Brand New, Shantaia
Ember, Factor Eight
Fluttering, GÅEL, Jesse Brown
Here and There , Jesse Brown, Denis Turbide
How Can I Get Your Love, Katie Tupper
I’m the Horizon, W3APONS
Knock Off, Jess Moskaluke
Live Inside, Katie Tupper
Peace, Love & Country Music, Hunter Brothers

Music Video of the Year

Dylan Hryciuk – Versa Films for Repent, Halocene
Dylan Hryciuk – Versa Films for Les Annees Ft. Témé Tan, Ponteix
Farideh Olsen, Director, for Otherside of Truth, Farideh
Hot Tag Films for Make It Right, Nick Faye
Joshua Stade for Never Ending Nights, The Gladstone
LJ Tyson & Kurt Binar Lindo for Home On A Rainbow, LJ Tyson
Marie-Clo x éemi for À fleur de pot, Marie-Clo x éemi
Prehistoric Productions for Wasteland, Dirty & The Perks
Rob White for Last Night, Surf Dads
Ryley Konechny, RAKK Productions for Layaway Luv, Ariel

Industry Achievement

Brent Ghiglione
CAMP – Community Arts Mentorship Program
Grey Records
Nigel Childs
North Sask Music Zine NSMZ

Producer of the Year

Bart McKay
Donny Parenteau
Factor Eight
Mario Lepage
Matt Stinn
Walter Jeworski

Venue or Festival of the Year

Creative City Centre
SaskTel Saskatchewan Jazz Festival
The Bushwakker Brewpub
The Capitol Music Club
The Exchange
The Happy Nun Café

Music Company of the Year

Dingwall Guitars
Music In The House
Sawchyn Guitars Ltd
School of Rock Regina
Sharp 5 Records

Music Professional of the Year

Brent Ghiglione
Jared Robinson
Jayson Brinkworth
Matt Stinn
Orion Paradis

The Best Saskatchewan Albums of the Year Long List
The winner receives Album of the Year

AK Productions, Scope of Work 2
Alien to the Ignorant, A Dying Art
Andrea An, Bloom
Berk Jodoin, Half Breed
Blu Beach Band, A Dog’s Breakfast
Brian Baggett, Let Nothing You Dismay
Carlyne Ray, No Hurry In Growin’ Up
Christopher Sleightholm, The River Flew Right Past
Coleman Williams & Yohan Yemba, 3Stock
Cyndi Aarrestad , Offerings
Dan Cugnet, 45
Dara Schindelka, Saturn Returns
Dirty & The Perks, (Naked, on the Shore.)
Dump Babes, niya kîminîcâkan
Factor Chandelier, Time Invested II
FPG, Spirit World
Gunner & Smith, Hear You In My Head
HarveyDent, Highlight Room
Hollow Oax, XRY FACE
Jake Vaadeland, Everybody But Me
Jarrid Lee, It’s Time
Marissa Burwell, Bittersweet
Megan Nash & the Best of Intentions, Soft Focus Futures
Mileshigh, i THiNK i FEEL BETTER
Parab Poet, Babelism
Patrick Moon Bird, Going Through the Motions
Rooky, SATORI
Sage Hunter, In the clouds
Spencer Krips, behold, the sonic universe
The Criminal Kid, Dear Disaster
The Gladstone, NightMood
The Local Group, Nero’s Waltz
Thomas Oakes, Love Underground In A-Minor
Tyler Gilbert, Kill the Magic

Filed Under: Music

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